Are you drawn to the shadows, where goosebumps rise and anticipation crackles? Are you looking for a movie that will send chills down your spine and make you check under the bed? Look no further! This guide digs into the terrible world of horror, presenting the best horror films that will both scare and satisfy.
We have something for everyone’s terror preferences, whether you’re a seasoned horror fan or a curious newbie. Prepare to scream (or peek through your fingers) your way through our chosen selection of the top horror movies, which includes psychological thrillers that toy with your head as well as supernatural shivers that linger long after the credits roll!
List of Best Horror Movies On Netflix
There’s something exhilarating about allowing yourself to be afraid in the safety of your own house. Watching a horror film in a theater may be scary, but it is also far more unsettling to return to the real world immediately afterward. At home, you can relax on the couch with your favorite blanket or watch some reality TV as a palette cleanser.
Whether you enjoy slashers or psychological thrillers, here are some of the best horror movies available on Netflix.
Under Paris
Under Paris is a French action-horror disaster film directed by Xavier Gens. Gens co-wrote the story with Maud Heywang, Yannick Dahan, Yaël Langmann, and Olivier Torres.
The film is about a marine biologist whose spouse was killed by a shark. Years later, when the same shark emerges in the Seine, she is forced to confront her terrible history in order to protect Parisians from the terrifying apex predator.
The film stars Nassim Lyes, Bérénice Bejo, and Léa Léviant. Under Paris’ critical response has been as unpredictable as the film itself. The picture was first praised as a modern Jaws, but subsequent reviews have been significantly less positive.
The film’s main goal, however, is to provide sheer violent thrills, and it succeeds admirably in this regard. Under Paris is a typical shark attack film through and through, with stunning disaster moments that more than compensate for the shortcomings in the story.
Ouija
When Laine Morris (Olivia Cooke) and her pals decide to use a Ouija board to contact their departed friend Debbie, they unintentionally summon a malignant spirit. As the pals dive deeper into the board’s dark history, they discover some terrifying mysteries and face a series of lethal ghostly attacks.
White uses his haunted house scenario and all of its dark, restricted areas to maximum horrifying effect as the main characters negotiate the dangerous, emotionally taxing domain of grief and loss in the aftermath of their friend’s death.
Communication with the dead has rarely felt as visceral or realistic as it does in Ouija.
The Wailing
This philosophically rich picture, anchored by a narrative that keeps you guessing, addresses spirituality and faith issues that we all encounter, particularly in the face of perpetual uncertainty and legitimate evil.
The plot revolves around a tranquil, rural community in South Korea, where a string of inexplicable illnesses and brutally violent fatalities have the police department perplexed.
We follow Jong-goo, a hapless police officer who becomes entangled in the mystery while attempting to protect his family—but, believe me, he has no idea what he is in for. Deciphering this infinitely layered narrative is part of the pleasure, but you’ll also like director Na Hong-jin’s genre-bending style, which adds a spooky and frightening atmosphere to the natural landscapes and harsh weather conditions.
The combination of traditional Korean music, ambient soundscapes, and moments of uncanny serene works nicely for this film, which investigates the complexities of believing, emphasizing how no single faith or entity has all the answers.
His House
The young couple at the center of this ghost story are refugees from South Sudan who have come to the United Kingdom.
The myriad acts of racism, classism, and xenophobia they encounter in their new home are as horrific as their placement in a government-sponsored rental property in a condition of disrepair.
The horrors they experienced traveling from Sudan, especially the death of their daughter, haunt them both, and their house starts to haunt them soon after they move in. Though scary, it’s also as cerebral as it is viscerally frightening. The performances are superb throughout.
Get Out
It’s difficult to overestimate Get Out’s influence. It’s one of the most referenced blockbusters of the last decade, having received four Oscar nominations (and one win).
The film also heralded Jordan Peele as horror’s next great auteur, which surprised many considering his comic background. However, Get Out owes a lot to Peele’s sense of humor.
He injects a winky sense of sarcasm into this frightening psychological thriller about a teenage photographer (Daniel Kaluuya) who finds his white girlfriend’s parents (Bradley Whitford and Catherine Keener) are running a dark conspiracy that preys on Black bodies. It remains as fun, intelligent, and significant as it was in 2017.
